A Theory of the Tache in Nineteenth-Century Painting
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Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet\'s and the Impressionists\' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.
| Autor: | Sjastad, Oystein |
| Nakladatel: | Taylor & Francis Ltd |
| ISBN: | 9781472429445 |
| Rok vydání: | 2014 |
| Jazyk : | Angličtina |
| Vazba: | Hardback |
| Počet stran: | 190 |
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